On her self-titled debut, Masako proves herself to be a classy
and elegant composer with an ear for music and a golden touch on the keyboard.
The entire album exudes the serenity and tranquility of New
England, which is no surprise considering that it is inspired by the Japan-born
artist’s adopted home state of Vermont.
Under the creative guidance of Grammy-winning guitarist, Windham
Hill Records founder, and producer William Ackerman and the technical acumen of
engineer Rob Eaton, Masako’s beautiful collection of piano-based tunes showcases
her unique and rare affinity for combining high and low keys. There is also the
sense of Masako’s Japanese culture and heritage nicely filtering through the
prism of contemporary new age music, especially considering her various
influences, such as George Winston and many of Ackerman’s former Windham Hill
artists.
Helping Masako realize her vision is a fine ensemble of
world-class musicians who accentuate various tracks with tasteful hints of
their brilliance. These include Premik on wind synthesizer, Charlie Bisharat on
violin, Eugene Friesen on cello, Jill Haley on English horn, Tony Levin on bass,
and Jeff Haynes on percussion.
This is an excellent recording and essential listening for those
who enjoy fine piano-based music.
--Raj
Manoharan
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