month marks what would have been Allan Holdsworth's 72nd
late, great guitar master was born on August 6, 1946, in England and
passed away at the age of 70 on April 15, 2017, in Southern
California, where he had lived for over three decades.
first heard of Holdsworth in the early 1990s when I read some reviews
that described the instrumental albums of my favorite musician,
Police guitarist Andy Summers, as partly Holdsworthian.
began to read more about the legendary Holdsworth, finally buying my
first album of his, Hard Hat Area, upon its release in 1994. I
still remember eagerly and excitedly purchasing the CD at a record
store in Greenwich Village.
continued to buy Holdsworth's albums throughout the 1990s,
culminating with the 2000 release of The Sixteen Men of Tain.
Holdsworth put out one more solo album, Flat Tire: Music for a
Non-Existent Movie, in 2001, which I never got around to getting
back then for one reason or another, and then Holdsworth went silent,
save for the occasional guest appearance on other musicians' albums,
as well as live performances and collaborative recordings.
also lost touch with Holdsworth's happenings for nearly two decades,
until April 15, 2017, when I read on Yahoo! News to my shock,
disbelief, and dismay that Holdsworth had passed at 70 years of age.
Remiss at both his loss and my obliviousness to his life for the
previous 16 years, I immediately purchased his 12-CD box set, The
Man Who Changed Guitar Forever!, and his 2-CD compilation,
Eidolon, both released a week prior to his passing, and spent
much of the next year immersed in the guitar and synthaxe brilliance
of Allan Holdsworth.
honor and remembrance of this amazing and unparalleled musical icon,
I highly recommend the following albums as my top four picks, reviews of
which can be found both on this site and on Amazon: With a Heart
in My Song (with pianist Gordon Beck, 1988), Hard Hat Area
(1994), The Sixteen Men of Tain (2000), and Then!
On Friday, August 17, 2018, one of my favorite guitarists, Eric Johnson, turned 64 years old.
I was first introduced to the music of Johnson in 1990 by an employee at a local cable television station I was interning at during my senior year of high school. That was the year Johnson, then 35/36 years old, released his breakthrough second album, Ah Via Musicom, which achieved the distinction of having three instrumental songs reach the American Top Ten.
Every one of Johnson's albums showcases his incredible electric guitar wizardry and his soft-spoken heartfelt vocals. His latest album is Collage, areview of which follows below. --Raj Manoharan
The veteran Texan guitarist's first solo electric guitar studio album since 2010's fiery Up Close marks a fine return to form and the classic Eric Johnson sound.
This is a more laid back and relaxed affair, with a nice mix of instrumentals and vocals and covers and originals, blending jazz and rock with hints of new age.
But don't let the mellow atmosphere fool you – Johnson's playing is as nimble and seamless as ever, with clean, crisp tones and lightning-fast lead lines.
And Johnson's eternally youthful vocals are still so smooth and silky even at 63 years of age.
Standout tracks include Stevie Wonder's "Up Tight (Everything's Alright)," The Beatles' "We Can Work It Out," and The Ventures' "Pipeline," and Johnson's "Morning Sun," "The Fade," and "To Whom It May Concern."
Collage is proof positive that after forty-plus years in the music business, Eric Johnson's still got it.
at the Troubadour is Michael Nesmith's third live album in the
last 26 years, and it is every bit as lively and engaging as its
three concert recordings are equally excellent without being
redundant, especially considering the fact that each one focuses on a
different aspect of Nesmith's career: Live at the Britt Festival
(1992) concentrates primarily on the albums And the Hits Just Keep
on Comin' (1972) and Tropical Campfires (1992);
Movies of the Mind (2013) is a wide-ranging retrospective; and
Live at the Troubadour revisits Nesmith's First National Band
trilogy from the early 1970s.
some of the original First National Band members are no longer with
us, The First National Band Redux consists of a whole new group of
backup musicians, including Nesmith's sons Jonathan and Christian on
guitars and backing vocals.
some qualitative comparative analysis, here's a breakdown of which of
the three albums features the best live versions of common,
– “Papa Gene's Blues”
– “Propinquity,” “Tomorrow and Me,” “Different Drum”
– “Joanne,” “Some of Shelly's Blues,” “Silver Moon”
at the Troubadour showcases Nesmith in top musical form. It's
both a joy and a thrill to hear the legendary 75-year-old icon still
plucking away at his 12-string acoustic guitar with sprightly aplomb
and giving it his all as a singer.