Batten down the hatches and brace for impact.
See you on the other side.
Raj
Musings on Movies, Music, and Television (dedicated to Steven H. Scheuer and John N. Goudas, and especially and with love to Mom, Dad, and Sammy)
Monday, October 29, 2012
Sunday, October 28, 2012
CD Review – Eleven Drops, by Paz del Castillo
The latest release from Paz del Castillo features eleven solo
piano tracks that reveal the artist to be a dynamic composer and performer and
a master of taste and subtlety.
For Castillo, the title of the album conveys the idea that each
tune on the album is like an individual drop of water that represents a
different aspect of her life, mood, and/or personality. This is absolutely the
case because the songs run the gamut of emotions and feelings, from inner peace
and calm, to mystery and discovery, to wonder and awe.
The title is also apt in the sense that, although each number is
unique and distinct, the album flows from one track to the next with a
consistency and effortlessness that result in a unifying whole, like drops of
water becoming a steady stream. Castillo’s dexterity and creativity engage the
listener from beginning to end, making this a satisfying and enlightening
experience.
This is another worthy offering that will be appreciated by
aficionados of solo piano music.
--Raj
Manoharan
TV, Music – Tis the Season, Charlie Brown
It’s that time of year again – the period from late October
through late December where we go through Halloween, Thanksgiving, and
Christmas, complete with pumpkin picking and trick-or-treating, Butterball and
football, and decked halls and snowfalls. In terms of entertainment, we have
costumes, parades, and the Rockettes, along with numerous television specials
and holiday music releases. However, nothing captures the pop culture spirit of
the season like the Charlie Brown TV
specials. Good old Chuck, Linus and Lucy, Snoopy, and the rest of the Peanuts gang epitomize the holidays like
no one else.
If you don’t have the time (or the stomach) to watch all the
holiday programming that will be overwhelming the airwaves over the next couple
of months, your best bets are the Charlie
Brown specials, including It’s the
Great Pumpkin, Charlie Brown; A
Charlie Brown Thanksgiving; and A
Charlie Brown Christmas. These are all available on DVD, but there’s
something magical about watching them on network television during the season.
In terms of holiday music, you can’t do better than the
soundtracks to the Charlie Brown
specials. As enjoyable as holiday releases by major and independent artists can
be, they don’t compare to the beauty and innocence of the scores for the Peanuts specials. There are several
albums that cover the music of the Peanuts
shows, but I really recommend the actual soundtracks to the programs composed
and performed by Vince Gauraldi. Like the shows, his timeless Charlie Brown recordings exude the
peace, contentment, and happiness of the holidays.
--Raj Manoharan
Saturday, October 27, 2012
CD Retro (Fan) Review – World Gone Strange, by Andy Summers
I’ve been listening to a bunch of old Andy Summers albums in
between my regular CD reviews, and this one has really been resonating with me.
In fact, as I get older, I find myself returning to it again and again. It's
the most focused, consistent, and guitar-centric album of Summers’ entire solo
discography.
There’s no flash or pizazz here – just classy, elegant electric
guitar music, with hints of jazz, blues, and funk. There isn’t one lackluster
tune on the CD. It is flawless from beginning to end.
Summers’ spot-on backing band includes Tony Levin on bass,
Mitchell Forman on keyboards, and Chad Wackerman on drums, with guest
performances by Eliane Elias on piano, Victor Bailey on bass, Nana Vasconcelos
and Manola Badrena on percussion, producer Mike Manieri on marimba, and Bendik
on soprano saxophone.
Andy Summers has a varied body of work, all of which is
enjoyable, some more than others. I consider this to be his most timeless and
universal. It’s my favorite.
--Raj Manoharan
Sunday, October 21, 2012
CD Review – What’s Real? by Silentaria
If you’ve been a loyal viewer of the Fox Broadcasting Network
over the last 15 to 20 years, you might remember an enigmatic illusionist who
went by the moniker of the Masked Magician for his dark, face-obscuring apparel
and who revealed all the secrets of his trade. Now we have a Masked Musician with
a similar appearance but who’s covered in white, and rather than reveal the
mysteries that inform his shadowy music, he leaves them for the listener to ruminate
upon and unravel.
The fact that Silentaria, aka Rixa White, wears a façade takes
the focus off his identity and visage and puts it squarely on his music. His
mask also reflects the main theme of his muse, that of the tenuous line between
illusion and reality.
But whatever his motivation, the significant factor here is his
sonic artistry, which I would call orchestral electronica. Silentaria builds a
basic foundation with keyboards and synthesizers and then adds flutes, violins,
strings, drums, percussion, digital choirs, and electric guitars to the mix, creating
an intoxicating blend that is at once ominous and exhilarating, electronic and
organic, introspective and grandiose. This is music that is visceral in its
pungency and cinematic in its reach. Silentaria’s work here reminds me of Jan
Hammer’s darkly dynamic Miami Vice
soundtracks, filtered through Silentaria’s unique mind’s eye.
If you desire to embark on a musical sojourn beyond the
ordinary, take a ride with Silentaria. You will not be disappointed.
--Raj
Manoharan
Sunday, October 14, 2012
CD Review – Tales of a Gypsy, by Johannes Linstead
Johannes Linstead is a true gypsy indeed, and not just because
the guitarist is of English-German descent and divides the year between his
native Canada and the Dominican Republic. He is a world traveler, both
literally and figuratively, in the language of music, and the Spanish guitar is
his passport.
Linstead’s guitar is the musical thread that weaves together a
multilayered fabric consisting of his keyboards, udu drum, shakers, and
percussion effects, as well as congas, bongos, drums, oud, acoustic guitar,
accordion, timbales, doumbek, pan pipes, operatic voice, and violin from an
outstanding lineup of excellent musicians. The result is a musical mosaic that
reflects a diverse range of styles including flamenco, merengue, classical, new
age, and jazz. This is truly a fusion of world music, presented with
unrelenting passion and vigor.
The album shows Linstead to be one of the most accomplished
guitarists and composers on the music scene. His far-reaching vision and his
ability to execute it, both on his instrument and as a bandleader, bring this
CD to life. These are gypsy tales you won’t tire of hearing.
--Raj
Manoharan
Sunday, October 7, 2012
CD Review – Zion and Bryce Canyon Soundscapes, by Jill Haley
Jill Haley, who plays English horn on many of the CDs reviewed
on this site, presents a collection of original compositions inspired by and
dedicated to the Zion and Bryce Canyon National Parks in Utah. Naturally, the
music is as grand and as epic as the subject matter that informs it.
In addition to English horn, Haley also plays piano and oboe on
the recording. She is joined by David Cullen on guitars and bass, Dana Cullen
on French horn, and Graham Cullen on cello. While Haley’s compositions and
instruments are the major components of the album, the contributions by the
Cullens are just as integral to the overall musical portrait Haley paints of
these majestic American landscapes.
The key to unlocking the beauty and grandeur of the Zion and
Bryce Canyon National Parks in musical form is in creating subtle and gentle
impressions that evoke humbled awe. Haley understands this and executes this
with aplomb, aided and abetted by the skillful and passionate playing of the
Cullens. As enjoyable as this CD will be to anyone who appreciates well-crafted
instrumental music, I imagine that this would be a perfect soundtrack to take
on a trip to the Zion and Bryce Canyon National Parks.
An added bonus to the release is the album package itself, which
includes Haley’s photographs of the Zion and Bryce Canyon National Parks and makes
for a nice commemorative keepsake. The cover features a beautiful photograph of
one of the stunning rock canyons, and the attached interior 12-page photo booklet
includes more breathtaking views of the park sites that inspired each of the
tracks.
--Raj
Manoharan
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