For the longest time, I had considered George Harrison to be my favorite singer-songwriter-guitarist. I have since revised that estimation. To be sure, he remains my favorite singer-songwriter-musician out of all of The Beatles. He is definitely in my top three list of favorite singer-songwriter-guitarists, which I narrowed down especially in the last year to include Electric Light Orchestra frontman and Harrison cohort Jeff Lynne and Monkee member Michael Nesmith. I had recently been leaning heavily toward Nesmith as my all-time favorite, and he sealed the deal with an amazing, energetic performance at bergenPAC in Englewood, New Jersey, on Tuesday night, November 12, 2013, midway through his Movies of the Mind tour.
Like most people, I became familiar with Nesmith through The Monkees, a made-for-TV rock group that epitomized bubblegum pop music in the 1960s and gave The Beatles and The Rolling Stones a run for their money in terms of record sales. A nostalgic resurgence of Monkeemania in the 1980s led to reruns – which enabled me to get hip to The Monkees as a child – as well as a new album and tour, although without Nesmith, who was busy doing his own thing. When I heard Nesmith sing “What Am I Doing Hangin' Round?” in one episode, I was immediately hooked by his country-style Texan vocals and sought out his solo endeavors.
After the Monkees TV show ended, Nesmith – whose mother invented correction fluid – pioneered a fusion of country, folk, pop, and rock music. He also furthered the development of music video, inspired the creation of MTV, and won the first Grammy Award for a home video release for his 1982 musical variety program Elephant Parts, which later led to his short-lived summer 1985 NBC series Television Parts.
Nesmith also provides the best fan experience out of all of my favorite artists, and not just in terms of live performance. He sells all of his work on his Web site, www.videoranch.com. When I bought several CDs to replace my cassette versions, he personally autographed all of them. For a justifiably slightly higher price, you can also order CDs customized for you and/or whomever you wish with tracks and sequencing of your choosing and personally autographed by Nesmith.
Having been a fan of Nesmith for nearly a quarter of a century now, I never thought I would get the chance to see him perform live, especially given the rarity of his appearances (his last tour was in the early 1990s). That all changed on the night of Tuesday, November 12, 2013, when he stopped by bergenPAC in Englewood, New Jersey, halfway through his Movies of the Mind tour. Fresh off a late 2012 Monkees tour in the wake of band member and British heartthrob Davy Jones's death, as well as brief solo tours in the United Kingdom and America, Nesmith is on a roll.
I took my folks to the show (Center Orchestra Row N Seats 101-103), and they both enjoyed it immensely. They are both in Nesmith's age range (Nesmith is four months older than my dad). My mom is familiar with The Monkees from way back, having arrived in America the same year the TV show debuted. For some reason, my dad keeps mixing The Monkees up with The Little Rascals, who were not even a musical group. But my dad did watch the Monkees reruns along with the rest of us in the 1980s, so at least he's heard of The Monkees.
Nesmith was in top form and rocked much harder at age 70 (going on 71) than he did at age 49 on his last tour, based on the double CD I have of that tour as well as footage I've seen on the Internet. He played all of the familiar fan favorites, from “Joanne” from the early 1970s to “Rays” from his 2006 album of the same name, in between providing a nice range of country, folk, pop, and rock music. Nesmith played his signature twelve-string acoustic guitar, with long-time band mate Joe Chemay on bass, Boh Cooper on keyboards, and long-time band mate Paul Leim on drums. The band also featured Chris Scruggs, the grandson of bluegrass banjo legend Earl Scruggs, on pedal steel guitar, acoustic and electric guitars, and mandolin. Scruggs was the musical prodigy of the night, sometimes playing two or more instruments in the same song. All the musicians were excellent and did a standout job bringing Nesmith's songs to glorious and exuberant life.
Nesmith also introduced each song or group of related/similar songs with narratives that set the scene for each musical tale, hence the tour moniker Movies of the Mind. This feature of the performance fostered intimate camaraderie between Nesmith and the audience and made it more of a personal experience, like hearing campfire tales from an old friend.
One thing that struck me about Nesmith is how, unlike the rest of The Monkees and other artists of his generation, he looks so little like his former, younger self. My mom said he looks like New York City Mayor Michael Bloomberg. In recent years, Davy Jones said he looked like a German banker. At the same time, it is refreshing and comforting that Nesmith has not gone to extra lengths to “preserve” his youth. Instead, he has chosen to age and mature like a fine wine. Every now and then, though, I saw a semblance of the old, young Nesmith surface. But whenever he opened his mouth to speak and sing, he was unmistakably and undeniably Michael Nesmith through and through.
--Raj Manoharan
Like most people, I became familiar with Nesmith through The Monkees, a made-for-TV rock group that epitomized bubblegum pop music in the 1960s and gave The Beatles and The Rolling Stones a run for their money in terms of record sales. A nostalgic resurgence of Monkeemania in the 1980s led to reruns – which enabled me to get hip to The Monkees as a child – as well as a new album and tour, although without Nesmith, who was busy doing his own thing. When I heard Nesmith sing “What Am I Doing Hangin' Round?” in one episode, I was immediately hooked by his country-style Texan vocals and sought out his solo endeavors.
After the Monkees TV show ended, Nesmith – whose mother invented correction fluid – pioneered a fusion of country, folk, pop, and rock music. He also furthered the development of music video, inspired the creation of MTV, and won the first Grammy Award for a home video release for his 1982 musical variety program Elephant Parts, which later led to his short-lived summer 1985 NBC series Television Parts.
Nesmith also provides the best fan experience out of all of my favorite artists, and not just in terms of live performance. He sells all of his work on his Web site, www.videoranch.com. When I bought several CDs to replace my cassette versions, he personally autographed all of them. For a justifiably slightly higher price, you can also order CDs customized for you and/or whomever you wish with tracks and sequencing of your choosing and personally autographed by Nesmith.
Having been a fan of Nesmith for nearly a quarter of a century now, I never thought I would get the chance to see him perform live, especially given the rarity of his appearances (his last tour was in the early 1990s). That all changed on the night of Tuesday, November 12, 2013, when he stopped by bergenPAC in Englewood, New Jersey, halfway through his Movies of the Mind tour. Fresh off a late 2012 Monkees tour in the wake of band member and British heartthrob Davy Jones's death, as well as brief solo tours in the United Kingdom and America, Nesmith is on a roll.
I took my folks to the show (Center Orchestra Row N Seats 101-103), and they both enjoyed it immensely. They are both in Nesmith's age range (Nesmith is four months older than my dad). My mom is familiar with The Monkees from way back, having arrived in America the same year the TV show debuted. For some reason, my dad keeps mixing The Monkees up with The Little Rascals, who were not even a musical group. But my dad did watch the Monkees reruns along with the rest of us in the 1980s, so at least he's heard of The Monkees.
Nesmith was in top form and rocked much harder at age 70 (going on 71) than he did at age 49 on his last tour, based on the double CD I have of that tour as well as footage I've seen on the Internet. He played all of the familiar fan favorites, from “Joanne” from the early 1970s to “Rays” from his 2006 album of the same name, in between providing a nice range of country, folk, pop, and rock music. Nesmith played his signature twelve-string acoustic guitar, with long-time band mate Joe Chemay on bass, Boh Cooper on keyboards, and long-time band mate Paul Leim on drums. The band also featured Chris Scruggs, the grandson of bluegrass banjo legend Earl Scruggs, on pedal steel guitar, acoustic and electric guitars, and mandolin. Scruggs was the musical prodigy of the night, sometimes playing two or more instruments in the same song. All the musicians were excellent and did a standout job bringing Nesmith's songs to glorious and exuberant life.
Nesmith also introduced each song or group of related/similar songs with narratives that set the scene for each musical tale, hence the tour moniker Movies of the Mind. This feature of the performance fostered intimate camaraderie between Nesmith and the audience and made it more of a personal experience, like hearing campfire tales from an old friend.
One thing that struck me about Nesmith is how, unlike the rest of The Monkees and other artists of his generation, he looks so little like his former, younger self. My mom said he looks like New York City Mayor Michael Bloomberg. In recent years, Davy Jones said he looked like a German banker. At the same time, it is refreshing and comforting that Nesmith has not gone to extra lengths to “preserve” his youth. Instead, he has chosen to age and mature like a fine wine. Every now and then, though, I saw a semblance of the old, young Nesmith surface. But whenever he opened his mouth to speak and sing, he was unmistakably and undeniably Michael Nesmith through and through.
--Raj Manoharan
No comments:
Post a Comment