One of the few, true guitar heroes.
Will never be another like him.
Great loss, irreplaceable.
--Raj Manoharan
Musings on Movies, Music, and Television (dedicated to Steven H. Scheuer and John N. Goudas; David Hinckley, Jim Farber, and The Phantom of the Movies; Bill Milkowski; Leonard Maltin; David McDonnell; and especially and with love to Mom, Dad, and Sammy)
Sunday, April 16, 2017
Friday, March 24, 2017
Triboluminescence (2017), by Andy Summers
CD Fan Review
Summers got his groove back.
For the longest time, I had held out hope that Andy Summers would create another album similar in vein to his first two solo instrumental efforts, Mysterious Barricades (1988) and The Golden Wire (1989), which feature his compositions and guitar playing at their most transcendental and sublime. Triboluminescence rekindles the spirit of those original records, but on a whole other level, and the result is absolutely delightful.
Summers got his groove back.
For the longest time, I had held out hope that Andy Summers would create another album similar in vein to his first two solo instrumental efforts, Mysterious Barricades (1988) and The Golden Wire (1989), which feature his compositions and guitar playing at their most transcendental and sublime. Triboluminescence rekindles the spirit of those original records, but on a whole other level, and the result is absolutely delightful.
Expounding
upon his explorations of self-sufficient sonic possibilities begun
with the 2015 industrial tech whack offering Metal Dog, Summers
exceeds that accomplishment, using his guitars and other instruments
(and cheating slightly with the collusion of cellist Artyom Manukyan
on one track) to create alien and otherworldly sounds that transport
you into a wondrous dimension of exhilarating sensory perception.
Standout tunes include the haunting “If Anything,” “Elephant Bird” (classic Andy Summers), "Gigantopithecus" (psychedelic reggae rock), “Ricochet” (bluesy funk), the eerie and enigmatic "Sam and Janet" (with a special cameo by "Metal Dog" from the album of the same name), and “Help from Jupiter” (spacey shades of Barricades and Bewitched). (The latter three tracks are digital/vinyl exclusives.)
Standout tunes include the haunting “If Anything,” “Elephant Bird” (classic Andy Summers), "Gigantopithecus" (psychedelic reggae rock), “Ricochet” (bluesy funk), the eerie and enigmatic "Sam and Janet" (with a special cameo by "Metal Dog" from the album of the same name), and “Help from Jupiter” (spacey shades of Barricades and Bewitched). (The latter three tracks are digital/vinyl exclusives.)
Summers
described his personal musical direction in the late 1980s and early
1990s as “new fusion.” He calls his unique stylings on
Triboluminescence “new exotic.” I myself like to think of
it as “new mysterious.”
Without
a doubt, Triboluminescence certainly ranks as one of Andy
Summers’ best albums (it's my personal favorite), right up there with his Private Music
catalog, as well as Synaesthesia and Earth + Sky. It is
also solid and demonstrable proof that at age 74, Andy Summers is
still very much in his prime – and still very much in the top tier
of guitar masters.
Thursday, March 23, 2017
Wednesday, March 22, 2017
Chuck Berry (1926-2017)
All hail the Pop of Rock!
And still poppin' and rockin' in peace!
New album out June 17!
--Raj Manoharan
And still poppin' and rockin' in peace!
New album out June 17!
--Raj Manoharan
Friday, March 17, 2017
Thursday, March 9, 2017
Logan (2017)
Movie Fan Review
At
the very least, this is the best film adaptation of Marvel characters
not produced by Marvel Studios. It is hands-down easily one of the
best motion pictures of all time.
As
graphic and unrelenting as the violence on display is, the writing,
directing, and acting – all of which are far superior to the best
Marvel Cinematic Universe movies – transcend it.
The
Western road-trip structure of the production, as well as its
gorgeous location cinematography and organic action scenes, makes it
a refreshing change of pace from the typical superhero saga
super-soaked in outlandish computer graphic imagery. Also, the
inclusion of actual X-Men comic books as props is a brilliant,
self-referential touch. Plus, there are a couple of really intense, literally mind-numbing sequences.
Hugh
Jackman’s and Patrick Stewart’s career-high performances in this
are without peer among superhero movies, and their relationships with
each other, newcomer Dafne Keen, and the other actors/characters are
compelling and involving. You really root for the good guys, and you
truly despise the bad guys.
Keen
is a star in the making with her debut in this as the wild, feral,
brutal, obstinate, and ultimately endearing Laura. Keen is the best
child actor I’ve seen in a long time, if ever.
What
our beloved Logan (Jackman) and Professor X (Stewart) go through is
sobering and tough to watch, making their climactic payoffs
substantive and dramatically and cathartically satisfying. Logan
especially undergoes a transformative experience unlike any other
superhero character on film before him, giving this movie a depth and
soul that no other superhero picture has and thus making it the best
in the genre.
The
entire film, especially the very end, is a fitting tribute to the
most beloved X-Men character both in comics and on screen.
On
a tangential note, the Deadpool short preceding Logan is
a riot and, although completely different in feel and tone, a great
lead-in to the main show.
--Raj
Manoharan
Wednesday, March 8, 2017
Andy Summers' New Album Due for Release in Late March
Andy
Summers' latest album, Triboluminescence, is scheduled to be
released in late March (Summers' Web site says March 24; Amazon says
March 31).
Continuing
in the experimental vein of Summers' last release, 2015's Metal
Dog, the new collection again features Summers playing all the
instruments in addition to his signature guitars, with the exception
of the cello played by Artyom Manukyan on the track “Garden of the
Sea.”
Triboluminescence
is available for pre-order on Amazon.
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