The cast and crew of the original Star Trek television series and films dedicated their fourth motion picture, 1986's The Voyage Home, "to the men and women of the spaceship Challenger whose courageous spirit shall live to the 23rd century and beyond . . . ."
--Raj Manoharan
Musings on Movies, Music, and Television (dedicated to Steven H. Scheuer and John N. Goudas, and especially and with love to Mom, Dad, and Sammy)
Monday, January 28, 2019
Tuesday, January 22, 2019
The Living Years (1988), by Mike + The Mechanics
The sophomore effort by
Genesis guitarist/bassist Mike Rutherford’s other band is just
about as good as their first, with such standout songs as the title
track, “Nobody Knows,” “Don’t,” “Beautiful Day,” and
“Why Me?”
This second album definitely
turns up the volume a bit more, but its loudness is of the good kind,
especially as it synthesizes the sounds of Genesis and The Police, as
well as solo Phil Collins and solo Sting.
Rutherford also stretches
his typically minimalist and atmospheric guitar textures and branches
out into more adventurous lead playing. Vocalists Paul Carrack and
Paul Young also take more chances with their singing, yielding
pleasantly soulful results.
“The Living Years” is
the crowning achievement of this collection and perhaps Mike + The
Mechanics’ entire repertoire, becoming one of the biggest hit
singles of the 1980s with continuous play on MTV and radio and
remaining timeless and memorable to this day.
--Raj Manoharan
Saturday, January 19, 2019
Mike + The Mechanics (1985), by Mike + The Mechanics
What a contrast from the
rough-around-the-edges vocal rock of Mike Rutherford’s 1982 solo
album, Acting Very Strange!
The Genesis
guitarist/bassist goes from acting very strange to acting very slick,
giving his regular band a run for its money in terms of both quality
and commercial success.
The first thing he does
right is stick to his four- and six-strings and keyboards and
relegate the singing to Paul Carrack and Paul Young.
Also, his songwriting is
markedly improved, with searching lyrics and lush arrangements and
sounds that combine Genesis, The Police, and other pop-synth sounds
of the 1980s, resulting in a timeless new age rock sheen.
The obvious hit here is “All
I Need Is a Miracle,” which was all over radio and MTV. However,
the real standouts are the cinematic tour-de-forces “Silent
Running,” “You Are the One,” "A Call to Arms," and “Taken In,” the latter two of
which presage Mike + The Mechanics’ 1988 hit title track, “The
Living Years.”
This was the beginning of a
long and successful second musical life for Rutherford, who continues
to perform with The Mechanics.
--Raj Manoharan
Friday, January 11, 2019
Acting Very Strange (1982), by Mike Rutherford
Strange. Very strange
indeed.
That voice does not go with
that face.
On his last solo album
before reassigning lead singing duties to others in his hit band Mike
and the Mechanics, Genesis guitarist/bassist Mike Rutherford belts
out raw and throaty vocals on eight art rock/pop oddities that exude
quirky but compelling weirdness.
The compositions and musical
instrumentation are unsurprisingly very similar to Genesis, with a
bit of Oingo Boingo and The Police thrown in for good measure. The
latter comparison is not so much of a stretch, especially considering
that one of the drummers is Stewart Copeland and that Acting Very
Strange sounds like a distant cousin to fellow 1980s superstar
guitarist Andy Summers’ one and only rock vocal record, XYZ, but
jacked way up.
As for Rutherford’s earthy
singing voice, it sounds like a mix of Peter Gabriel, Keith Richards,
Joe Cocker, Ray Charles, Joe Elliott, David Lee Roth, etc.
This is not for every taste,
but the title track, “Maxine,” and “Hideaway” (future shades
of the Mike and the Mechanics hit “The Living Years”) are
definite must-listens.
--Raj Manoharan
The Very Best of Peter Cetera (2017), by Peter Cetera
The last career
retrospective that Peter Cetera released was 1997’s You’re the
Inspiration, but the singles included on that album were
rerecorded, and “Glory of Love,” the theme song from the film The
Karate Kid Part II and one of the biggest hits and music videos
of the 1980s, was glaringly omitted.
Now, 20 years later, we
finally have a proper greatest hits collection from one of the most
recognizable and popular singers of that decade, featuring the
original recordings. In addition, “Glory of Love” is here in all
its power pop and power ballad – ahem – glory.
My favorite tracks are
“Glory of Love” (obviously), “Stay with Me,” “The Next Time
I Fall” with Amy Grant, “Feels Like Heaven” with Chaka Khan,
and “Restless Hearts.”
Regardless of whichever are
your favorites, they are all gems. If you remember the voice and the
songs, this will definitely take you back. This is a trip down memory
lane worth taking.
--Raj Manoharan
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