The
fifth album from Mike Moreno marks a major step forward in the
artist's evolution as one of the most formidable and significant
guitarists in the contemporary jazz scene.
Moreno's
original compositions are grand and ambitious, with lyrical acoustic
guitar musings that exude dreamy sentiment and smart electric guitar
lines that bop with elegant finesse.
A
touch of grace is provided by Aaron Parks on piano, and bassist Doug
Weiss and drummer Eric Harland keep things moving with deep-rooted
rhythmic grooves and highly charged percussion.
While
the band functions as a tight unit, Moreno clearly shines as both a
soloist and a leader, continually honing and refining his craft as he
takes it to new heights of innovation and virtuosity.
Listening
to Moreno's brilliant guitar playing is nothing short of ecstatic
joy.
This
CD will be very much appreciated by those who enjoy high-end jazz
guitar and those who dig thoughtful instrumental music that is
inspiring and resonant.
--Raj
Manoharan
Musings on Movies, Music, and Television (dedicated to Steven H. Scheuer and John N. Goudas; David Hinckley, Jim Farber, and The Phantom of the Movies; Bill Milkowski; Leonard Maltin; David McDonnell; and especially and with love to Mom, Dad, and Sammy)
Monday, May 2, 2016
CD Review – Stress-Relief Meditations: Guided Meditations for Busy People, by Ramdesh Kaur and Ashana
Vocalist
Ramdesh Kaur and musician Ashana join forces on this transcendental
album that provides listeners with a sonic escape from the hustle and
bustle of everyday anxiety.
Ashana lays down lush tones over which Kaur articulates contemplative thoughts with soothing and comforting tranquility that will put you at ease.
This is a great CD for getting away from it all mentally and emotionally.
--Raj Manoharan
Ashana lays down lush tones over which Kaur articulates contemplative thoughts with soothing and comforting tranquility that will put you at ease.
This is a great CD for getting away from it all mentally and emotionally.
--Raj Manoharan
Saturday, April 23, 2016
CD Retro (Fan) Review – The Best of George Harrison, by George Harrison
This
album is both a fantastic introduction to and an efficient
overview of Harrison’s early career as part of the Fab Four and
as a budding solo artist.
As others have pointed out, yes, the Beatles songs included on this record are available on several Beatles collections. However, this is the only place you’ll find many if not all of Harrison’s Beatles compositions by themselves in one place, and there is nowhere better to have them than on his first greatest hits compilation.
First of all, the seven Beatles tunes here are quintessential George Harrison songs, written and performed by him with backup by his fellow Beatles. Second, their inclusion facilitates a true appreciation of Harrison’s artistic evolution from writing and performing his songs with the Beatles to writing and performing his songs with his own band.
What sets Harrison apart from the other Beatles and makes him unique as a singer-songwriter are his folksy, soul-searching compositions and his humble, earnest vocals.
As a guitarist, Harrison is very underrated and underappreciated, and aside from a couple of guitar parts played by other Beatles and Harrison’s friend Eric Clapton, the album is flush with Harrison’s intricate lead and rhythm guitar work.
The record also shows Harrison’s transition from a skillful and creative rock guitarist with the Beatles to slide guitar virtuoso, whose tight, soulful solos reinforce his melodies without being flashy or over the top.
Album highlights include Harrison Beatle classics “Something,” “Here Comes the Sun,” and “While My Guitar Gently Weeps” (featuring Clapton on lead guitar) and early solo hits “My Sweet Lord,” “Give Me Love (Give Me Peace on Earth),” and “What Is Life.” Interestingly, “Here Comes the Sun” sounds more like Harrison’s later solo work on his own Dark Horse record label.
This is an excellent showcase of Harrison’s formative years, especially his metamorphosis from Quiet Beatle to enigmatic solo superstar.
--Raj Manoharan
As others have pointed out, yes, the Beatles songs included on this record are available on several Beatles collections. However, this is the only place you’ll find many if not all of Harrison’s Beatles compositions by themselves in one place, and there is nowhere better to have them than on his first greatest hits compilation.
First of all, the seven Beatles tunes here are quintessential George Harrison songs, written and performed by him with backup by his fellow Beatles. Second, their inclusion facilitates a true appreciation of Harrison’s artistic evolution from writing and performing his songs with the Beatles to writing and performing his songs with his own band.
What sets Harrison apart from the other Beatles and makes him unique as a singer-songwriter are his folksy, soul-searching compositions and his humble, earnest vocals.
As a guitarist, Harrison is very underrated and underappreciated, and aside from a couple of guitar parts played by other Beatles and Harrison’s friend Eric Clapton, the album is flush with Harrison’s intricate lead and rhythm guitar work.
The record also shows Harrison’s transition from a skillful and creative rock guitarist with the Beatles to slide guitar virtuoso, whose tight, soulful solos reinforce his melodies without being flashy or over the top.
Album highlights include Harrison Beatle classics “Something,” “Here Comes the Sun,” and “While My Guitar Gently Weeps” (featuring Clapton on lead guitar) and early solo hits “My Sweet Lord,” “Give Me Love (Give Me Peace on Earth),” and “What Is Life.” Interestingly, “Here Comes the Sun” sounds more like Harrison’s later solo work on his own Dark Horse record label.
This is an excellent showcase of Harrison’s formative years, especially his metamorphosis from Quiet Beatle to enigmatic solo superstar.
--Raj Manoharan
Monday, April 18, 2016
Doris Roberts (1925-2016)
She
was a mother, alright.
So long and farewell to one of the most famous and beloved television matriarchs of all time.
Here she comes, Frank!
--Raj Manoharan
So long and farewell to one of the most famous and beloved television matriarchs of all time.
Here she comes, Frank!
--Raj Manoharan
CD Review – Ardas (Prayer), by Prabhu Nam Kaur
Pleasant
vocals and authentic ethnic instrumentation bring this CD of sacred
Sikh music – “Gurbani Kurtan” – to blissful fruition.
In addition to Prabhu Nam Kaur's fine voice, masterful harmonium playing, and original compositions, the album features the talents of Snatam Kaur as composer, Amar Khalsa on flute and vocals, Arjan Khalsa on guitar and mandolin, Hargobind Singh Khalsa on tabla, Ramdass Khalsa on bass, clarinet, nylon string guitar, keyboards, shaker, and vocals, Sahib Amar Khalsa on viola and vocals, Nalini Teresa Marie on udu, and Jasprit Singh on sitar.
This recording provides a cathartic experience for those interested in calming, meditative, exotic new age music.
--Raj Manoharan
In addition to Prabhu Nam Kaur's fine voice, masterful harmonium playing, and original compositions, the album features the talents of Snatam Kaur as composer, Amar Khalsa on flute and vocals, Arjan Khalsa on guitar and mandolin, Hargobind Singh Khalsa on tabla, Ramdass Khalsa on bass, clarinet, nylon string guitar, keyboards, shaker, and vocals, Sahib Amar Khalsa on viola and vocals, Nalini Teresa Marie on udu, and Jasprit Singh on sitar.
This recording provides a cathartic experience for those interested in calming, meditative, exotic new age music.
--Raj Manoharan
Sunday, April 10, 2016
Peggy Morgan (1950-2016)
Peggy
Morgan was one half of the Hawaiian-based instrumental music duo
Acoustic Ocean, two of whose albums I had the privilege of reviewing
on this site.
Morgan may no longer be with us in body, but she will always be with us in spirit through the music she touched others with through her recordings, and through the love she gave to her family, friends, and loved ones such as her musical partner Bette Phelan.
I have hope and faith that she's at peace now, making sweet, beautiful, eternal music.
www.rememberingpeggymorgan.com
--Raj Manoharan
Morgan may no longer be with us in body, but she will always be with us in spirit through the music she touched others with through her recordings, and through the love she gave to her family, friends, and loved ones such as her musical partner Bette Phelan.
I have hope and faith that she's at peace now, making sweet, beautiful, eternal music.
www.rememberingpeggymorgan.com
--Raj Manoharan
CD Review – All Roads, by Harnam
This
is not your typical, meditative, transcendental, new age album. In
fact, it is far from it.
Composer, guitarist, and singer Harnam follows in the hallowed tradition of the best singer-songwriters from the 1970s. Like many of the country/folk/pop/rock fusion pioneers of that era, Harnam's music is timeless. However, he does one-up many of those six-stringers with his ambidextrous talents on 8-string, 12-string, and baritone acoustic guitars.
Harnam's easy listening melodies and natural, unassuming vocals make this record accessible to anyone who likes good singing and songwriting regardless of worldview.
Harnam also layers his appealing sound with rich instrumentation from Chris Erbacher on banjo and pedal steel, James Henry on percussion, Charity Kahn on piano, Siri Kartar on banjo and pedal steel, Paul Lamb on electric bass, Daryn Rover on acoustic and electric guitars, Simrit on background vocals, Suzy Thompson on fiddle, Benjy Wertheimer on esraj, Tim White on bamboo flute, and Jake Wood on drums.
This is a fine album whether you're seeking philosophical solace, good music, or both.
--Raj Manoharan
Composer, guitarist, and singer Harnam follows in the hallowed tradition of the best singer-songwriters from the 1970s. Like many of the country/folk/pop/rock fusion pioneers of that era, Harnam's music is timeless. However, he does one-up many of those six-stringers with his ambidextrous talents on 8-string, 12-string, and baritone acoustic guitars.
Harnam's easy listening melodies and natural, unassuming vocals make this record accessible to anyone who likes good singing and songwriting regardless of worldview.
Harnam also layers his appealing sound with rich instrumentation from Chris Erbacher on banjo and pedal steel, James Henry on percussion, Charity Kahn on piano, Siri Kartar on banjo and pedal steel, Paul Lamb on electric bass, Daryn Rover on acoustic and electric guitars, Simrit on background vocals, Suzy Thompson on fiddle, Benjy Wertheimer on esraj, Tim White on bamboo flute, and Jake Wood on drums.
This is a fine album whether you're seeking philosophical solace, good music, or both.
--Raj Manoharan
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