--Raj Manoharan
Musings on Movies, Music, and Television (dedicated to Steven H. Scheuer and John N. Goudas; David Hinckley, Jim Farber, and The Phantom of the Movies; Bill Milkowski; Leonard Maltin; David McDonnell; and especially and with love to Mom, Dad, and Sammy)
Thursday, March 23, 2017
Wednesday, March 22, 2017
Chuck Berry (1926-2017)
All hail the Pop of Rock!
And still poppin' and rockin' in peace!
New album out June 17!
--Raj Manoharan
And still poppin' and rockin' in peace!
New album out June 17!
--Raj Manoharan
Friday, March 17, 2017
Thursday, March 9, 2017
Logan (2017)
Movie Fan Review
At
the very least, this is the best film adaptation of Marvel characters
not produced by Marvel Studios. It is hands-down easily one of the
best motion pictures of all time.
As
graphic and unrelenting as the violence on display is, the writing,
directing, and acting – all of which are far superior to the best
Marvel Cinematic Universe movies – transcend it.
The
Western road-trip structure of the production, as well as its
gorgeous location cinematography and organic action scenes, makes it
a refreshing change of pace from the typical superhero saga
super-soaked in outlandish computer graphic imagery. Also, the
inclusion of actual X-Men comic books as props is a brilliant,
self-referential touch. Plus, there are a couple of really intense, literally mind-numbing sequences.
Hugh
Jackman’s and Patrick Stewart’s career-high performances in this
are without peer among superhero movies, and their relationships with
each other, newcomer Dafne Keen, and the other actors/characters are
compelling and involving. You really root for the good guys, and you
truly despise the bad guys.
Keen
is a star in the making with her debut in this as the wild, feral,
brutal, obstinate, and ultimately endearing Laura. Keen is the best
child actor I’ve seen in a long time, if ever.
What
our beloved Logan (Jackman) and Professor X (Stewart) go through is
sobering and tough to watch, making their climactic payoffs
substantive and dramatically and cathartically satisfying. Logan
especially undergoes a transformative experience unlike any other
superhero character on film before him, giving this movie a depth and
soul that no other superhero picture has and thus making it the best
in the genre.
The
entire film, especially the very end, is a fitting tribute to the
most beloved X-Men character both in comics and on screen.
On
a tangential note, the Deadpool short preceding Logan is
a riot and, although completely different in feel and tone, a great
lead-in to the main show.
--Raj
Manoharan
Wednesday, March 8, 2017
Andy Summers' New Album Due for Release in Late March
Andy
Summers' latest album, Triboluminescence, is scheduled to be
released in late March (Summers' Web site says March 24; Amazon says
March 31).
Continuing
in the experimental vein of Summers' last release, 2015's Metal
Dog, the new collection again features Summers playing all the
instruments in addition to his signature guitars, with the exception
of the cello played by Artyom Manukyan on the track “Garden of the
Sea.”
Triboluminescence
is available for pre-order on Amazon.
Monday, February 27, 2017
EJ (2016), by Eric Johnson
CD
Fan Review
To
this day, Eric Johnson’s acoustic guitar
instrumental “Desert Song,” from his 1986 debut album Tones,
strikes me as underwhelming. Perhaps it’s because it stands
alone among and pales in comparison to his vastly superior electric
guitar songs on that record.
However,
Johnson’s acoustic compositions have improved greatly over the
years – his virtuosity as both an electric and an acoustic
guitarist was never in question – and EJ, his first full
acoustic guitar and piano album, showcases him at the apex of his
skills away from the electric guitar.
Housed in an elegant digipak with a glossy booklet and high-quality artwork and photographs, the
collection provides a balanced mix of acoustic guitar and/or piano
instrumentals and vocal songs – some covers and some originals –
with additional backing from guest musicians and vocalists on a few
tracks.
In addition to his superb mastery of frets and keys, Johnson
is also at the top of his game as a singer. At 62 years of age, he still sounds exactly like he did
in his 20s, but with more soulful nuance and the wisdom of much experience.
Instrumental
highlights include “Once Upon a Time in Texas,” “Song for
Irene,” and Simon and Garfunkel’s “Mrs. Robinson.” Of the vocal songs – all of which are excellent – my personal favorites are the folksy jazz-rock fusion take on Jimi Hendrix's "One Rainy Wish," "All Things You Are," and the epic, stunning solo piano rendition of Simon and Garfunkel's "Scarborough Fair/Canticle."
EJ
not only takes its place alongside Eric Johnson’s finest works
and the top guitar/piano albums, but also as one of the best efforts
in any music genre.
Sunday, February 26, 2017
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